Annotation
Actuality of problematic of visual moments in classical music is conditioned by its rare and questionable character. Popular look that because of character, of music for it is typical only colors sensations - is fully wrong! Music contains whole logic chain of content that is connected to visual-figurative structure. It’s variety is endless and contains both subjective and inter-subjective elements.
The object of this theme is to create theoretical-practical materials to interpret interrelation between visual art and classical music.
The problem of theoretical and practical-artistic content is to persuade reader-recipient that music can be understood as sound-intonation art and at the same time as concrete visual artifact with its materially, sensible elements.
The subject of my research is different levels of classical music compositions of Bach, Rachmaninoff, Wagner, Ravel, Debussy, Stravinsky, John Cage – I try to considerate them in contact with visual arts possible objects, by confluence of aesthetic-intonation side with structure of artistic symbols; for these we use materials from history of visual art, and works done by me.
The result of theme is fusion of theoretical and visual materials that are need for complex research of different symbols of art. Marked one can create the base for understanding of mechanism of influence in art sphere and make more eminent the structure of one of the inspiration source.
Dato Nadiradze
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